HifiCafé
Josep Maria Marimon, fundador de HifiCafé, en Barcelona
Barcelona

Founder · Educator · Loudspeaker designer

Josep Maria Marimon

I run HifiCafé, host the channel, design the Opus I loudspeakers and organise the rooms where all of it gets heard. I design, build, film and explain: I do not stop at one part of the job.

54.855Followers across networks
3.996.505Views on YouTube and TikTok
1.950Members
At a glance
Based inBarcelona, Spain
Active sinceSeptember 2025
LanguagesSpanish · Catalan · English
FieldHi-fi, acoustics and critical listening

The projects/ 01

What I run, design and organise. One job: making hi-fi understood and heard.

Reaching people through the networks/ 02

Four channels with four different focuses, largest audience first. On each one, what travelled furthest.

YouTube
@HifiCafé_Barcelona
FocusAudiophile gear
23.500subscribers
544videos published
Ecualizador gráfico: cómo conectarlo bien y si vale la pena25:19

Ecualizador gráfico: cómo conectarlo bien y si vale la pena

114.118 · 05/2025
La catedral del HiFi vintage de Europa: Darthy en Barcelona46:23

La catedral del HiFi vintage de Europa: Darthy en Barcelona

113.272 · 09/2025
HiFi contra audio profesional: el duelo, con Rafael26:44

HiFi contra audio profesional: el duelo, con Rafael

71.644 · 04/2024
Facebook
/hifibarcelona
FocusBuilding and DIY
14.861followers
602posts since 2021
El bass-reflex es el mismo principio que una botella soplada

El bass-reflex es el mismo principio que una botella soplada

19.085 · 834
El montaje del crossover de las Opus I, accesible por fuera

El montaje del crossover de las Opus I, accesible por fuera

3.812 · 79
Diseño y montaje de las Opus I con transductores Beyma

Diseño y montaje de las Opus I con transductores Beyma

3.656 · 99
Instagram
@hifi.barcelona
FocusVintage and music
10.392followers
824posts
Antes de ser Aphex Twin: Richard D. James

Antes de ser Aphex Twin: Richard D. James

146.172 · 19.775
Boards of Canada: la nostalgia de una infancia que nunca viviste

Boards of Canada: la nostalgia de una infancia que nunca viviste

45.193 · 2.843
Opus I: de la caja al filtro

Opus I: de la caja al filtro

15.242 · 491
TikTok
@hifibarcelona
FocusMusic only

Data retrieved from the official TikTok API on 2026-08-23

6.102followers
188videos published
Kind of Blue: la sesión de 1959 de Miles Davis

Kind of Blue: la sesión de 1959 de Miles Davis

148.902 · 5.162
Marantz Model 1060, un amplificador de los setenta

Marantz Model 1060, un amplificador de los setenta

119.413 · 1.770
Antes de ser Aphex Twin: Richard D. James

Antes de ser Aphex Twin: Richard D. James

117.690 · 24.950

Design, build and distribution of the Opus I loudspeakers/ 03

This is my first loudspeaker. The work starts with acoustic targets and ends with a cabinet that has been built and measured.

Prototipo del altavoz Opus I, de dos vías, con transductores BeymaPrototype

Limited, numbered series

It is a two-way bass-reflex bookshelf loudspeaker with professional Beyma drivers. I first defined what it needed to do well. I then chose the drivers, simulated it, built it and measured it. The cabinet consists of twenty-three sheets of board, stacked and compressed with four steel rods.

It is supplied as a kit. The parts are numbered and tongue-and-grooved, and fit in one position only.

55 Hz – 22 kHzresponse ±3 dB
90 dBsensitivity 1 W @ 1 m
4 Ωnominal impedance
200 WAES power
Series finishes · rendering
Opus I · White · matte black baffle
White · matte black baffle
Opus I · Black · matte white baffle
Black · matte white baffle
Opus I · Natural wood
Natural wood
Opus I · Gloss red
Gloss red

“Lira” geometry

The section is curved, with a flat baffle and an elliptical back. There are no parallel walls inside, so standing waves do not form.

40 mm walls

The cabinet uses twenty-three CNC-machined sheets of board. The glue lines between the layers damp the panel’s vibration.

Port milled into the wood

The tuning duct is milled from the sheets themselves. It does not use a plastic tube, so there is no tube resonance.

Prototype measurements · REW
On-axis response at 1 m, with both channels overlaid. It remains within ±3 dB from around 50 Hz to 20 kHz.

On-axis response at 1 m, with both channels overlaid. It remains within ±3 dB from around 50 Hz to 20 kHz.

Off-axis response with the same cabinet turned 45°, 90° and 120°. The treble falls gradually, without breaks.

Off-axis response with the same cabinet turned 45°, 90° and 120°. The treble falls gradually, without breaks.

These plots are provisional. The measurements were taken in a room, without an anechoic chamber.

Specifications
Configuration
2 vías · bass-reflex
Woofer
Beyma 8NMFW · 8″
carbon fibre cone
Tweeter
Beyma T25M
dome with aluminium faceplate
Frequency response
55 Hz – 22 kHz
±3 dB
Usable bandwidth
42 Hz – 30 kHz
−10 dB
Sensitivity
90 dB
1 W @ 1 m
Nominal impedance
4 Ω
minimum 3.1 Ω at 8 kHz
Power (AES)
200 W
Dispersion (H×V)
80° × 80°
−6 dB
Internal volume
≈ 16,8 L
port tuning Fb ≈ 47 Hz
Dimensions (H×W×D)
437 × 300 × 348 mm
40 mm walls
Cabinet
Laminado «Lira» · 23 capas de 19 mm
4 × M8 rods

Written and taught/ 04

My own courseComing soon

Critical Listening Course

Each chapter explains one idea and then you test it with your ears. The theory first, in plain language; then the exercise, which plays in the browser itself. Fifteen chapters of around forty minutes, twenty families of exercises and three test formats: A/B, ABX, and correcting instead of guessing.

15chapters
20exercise families
3test formats
Professional contact

Transparent collaborations/ 05

I make videos and organise gatherings where people listen to equipment. I do not sell equipment and I am nobody’s sales agent.

When a brand collaborates on a video, it pays for the work of filming and editing it, not for what I am going to say in it. If the equipment does not convince me, I say so anyway, and whoever collaborates knows that before we start. And I always state in the video that there is a collaboration behind it.

How they have gone so far

I have worked with brands and distributors in three ways, and none of them is a fixed package:

  • A brand supports a video on a subject I had already planned to cover.
  • A distributor or brand lends me a piece of equipment and I review it on the channel.
  • We organise a public listening session in a room and film it.

There are other routes. If you have something in mind that is not here, tell me and we will talk it through.

Press

Interviews and sector data

I share what I have.

Shows and events

Talks and guided listening

For the trade or for a company.

josep@hificafe.org

I answer personally.

Barcelona · Spanish, Catalan and English

Do you want to work with HifiCafé or with Josep Maria Marimon?

Get in touch directly

josep@hificafe.org

Menu
Site language
What people write

Log in for more features